As early as 1923, she demanded Adolf Hitler’s expulsion from Germany. During Hitler’s “seizure of power” in 1933, she was on a trip abroad, from which she never returned to Germany. The library and all documents from the decades of work of Heymann (and of her work and life partner Anita Augspurg) for the national and international women’s movement were lost.
Heymann is a feminist, bourgeois and radical – but above all she should not be viewed uncritically. Heymann was criticized for anti-disability statements a few years ago. We address this ambivalence in the AR artwork. The monument thus makes an important contribution to a reflective culture of remembrance, a post-heroic culture, in which precisely these ambivalences are brought into focus. This way, we aim to stimulate the discussion about appreciation and critical examination of a person in our culture of remembrance. The memorial for Lida Gustava Heymann is designed to be interactive. All the possibilities that AR offers today are used to create an audio-visual experience for the viewers.